The Deep has always loved me

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Within the Silence of life’s living I am resting

quieting all thought

quelling even devotion as singular

weaving within the weft of this great love

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The red tailed hawk still perfect but road killed

the colors of fall

the drifting snow burying the uphill windows

to lit transoms the absolute quiet of white

the starving deer the dogs ran down

in that hardest of winters

the deer’s bones in the morgue of the freezer

until I would bury the bones in Spring

the brush fires I tended that burned hot or low for days

under late snow or Spring rain

the gourds that looked like the swollen bellies of whales

the purge of the creek in spring run off stripping bark

clean from tumbling dead trees

the surprise of the rising waters climbing my calves

the ground saturated to jelly

the path we called Cat Butt turned into a river

the sound wild and competing with returning brown geese

a lightening flash snaking the grounding wire silencing

the music playing inside with a preacher’s thunder

the swath cut through the static of long berry brambles

catching hold and refusing to let go

the oldest grapevine living with the elder pine protecting

each other with their roots suckling water from the bog

the young maples I sang with

as I learned their grove’s language

the low valley road no one wanted to travel that opened

my throat to the sound of a vowel’s reaching

the last call and thumping cry shock wave of each tree

falling as loggers clear cut nearby

the hummingbird sitting in stillness on the tip of the

branchless dead tree each summer’s day at 4

the oceans of colored mushrooms swelling

the deep woods just that one wet season

the bed of lace and leaves tatted by oak’s tannins

where I lay in surrender to soft rain

the purple woman’s hands of black cohosh rising

from wet soil dressed in the mysteries of Spring

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Drawing by Jana White ©

Instagram @ Jana_h_White

Spinning from the silk of our stories


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They tried to bury us. They didn’t know we were seeds.

(Mexican proverb)

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We’ve grown tired of being pinched

by small rusting tacks

holding tight

meant to toughen our skin.

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Plastered like Reels

rapidly scrolling

plastered to eyeballs

stuck in our ears

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Listen, you old schemers

We’re not looking for saviors

nor suckling your messengers

pedaling the news

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We seek grounding instead

in the wild fecund darkness

deeply cocooned

in our memories unbound

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Listening to choirs

of Winged Ones spinning

from the silk

of our stories now loosened

and taking flight from the sound.

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“To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings”     ….. Wendell Berry

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Painting © by Jana White

Instagram @ Jana_H_White

The Nimbleness of Intelligence

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The nimbleness of intelligence

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How many times

will I shed raw and return?

Or is it a stronger current

amorphously assembling and deconstructing

in circuitous layers of attendance

as I unwittingly rally

behind the porosity of my tumbling thoughts,

the seduction of the “certainty” of knowledge?

~

I am a small planet

a symbiotic microbial world

my mind’s peripheral orbit though

has flung so far out

in its trajectory that now

my axis seems nearly invisible

but I can still feel it…

this bright nucleus of love

teeming with life

~

Tepid fleshed, soft and juicy

I navigate through

this microbial stew

with winged thoughts

a heart that prisms lightning

and opposable dancing thumbs

tingling with the emotive tracings

of “new” frontiers

~

While underground

the nimbleness of intelligence

arises in quietude

fervent, listening

patiently listening

for openings of emergent steam

clear signs of the heat of engagement

~

I look “out there” from inside this swarming warmth

positioning myself in the spaces in between

so practiced in resistance to the consistent hum of patterns and static

The quietude continues to rise from its circuitous path

through the soles of my feet

rising to the opening in my sky when I hear

In here! In here!

Not out there!

We’re right here!

We’re all right here

Playing in the fields of wild light”

~

Image © by Jana White

Instagram @ Jana_H_White

Winter Solstice

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Ouroboros

The moon shivers silver and stirs

As the branches of Life’s Tree, kiln dried,

Spark and Ignite in the cauldron of a Dragon’s exhale

As still holding the Center

The Dragon pauses before its first next Breath before Flight

As the Vesica Pisces, resonating through eons

with the Triangle of Light’s Blessing,

In quantum symmetry smiles

And Mycelium dance in prayerful delight!

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” There are two ways of sustaining something. It may either be carried, or enfolded by creating an unbroken circle round it to prevent its falling apart.”

The Penguin Dictionary of Symbols 1996 addition… by Jean Chevalier and Alain Gheerbrant under the category “Serpent”.

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(Adieu to the Chinese “Year of the Wood Snake”)

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I was a child with dreams of becoming

Now that I am older

The same dreams of being hold

Like a snake shedding it’s skin

While spitting out it’s swallowed tail

Returning and turning

Always the same

In all ways transformed

~

Happy Solstice!

~

Painting and poems © Jana White

Instagram @ Jana_h_White

Enigma

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Rooted in the Greek word for riddle

I steady myself

in the middle of the stream

So much rain

my toes search for purchase

as I move along in the strong current

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But I’ll not wander in the side eddies

where the slickest algae

coats the surface of the stones still idling there

passing time as if singular

feigning reflection

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An intoxicated accumulation

of over fertilized organic matter

girdling themselves

as if they could hold on to the ground

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My days have been emptying

full of the feeling that I’m living in two separate realities

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More than a waiting game

too much hard evidence

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Carrying a pack that needs to be cleaned out

and made into a traveling case of essentials

fit for traveling in even faster flowing water

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I’ve been carrying these stones around with me for decades. The one with the impressed shells is from the Northwest Pacific coast and was gifted to me. Its partner once dwelled further south, somewhere along the coast by Half Moon Bay, south of San Francisco.

They traveled with me when I returned to the waters of the east coast, after my sojourn with the Pacific.  The stones always hold a corner of one of my gardens, along with a bowl of water for the critters and birds.

The poem inserted into the photo arrived out of the blue, as many poems tend to do. It came as a puzzle and I chuckled as I considered who it could be referring to.

That is until…. could it possibly be “water”?  And partner with the poem “Enigma”?

~

Poems and photo © Jana White

Instagram @ Jana_H_White

Dengue Diary

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Becoming

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Even substance

can not slow to definition

The holiness

of momentum

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Weather

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It’s called the “Bone Crusher”.

At the end of 2019 and five days into a month long artist residency in Mexico, I fell into a deep viral vortex known as dengue fever. As the virus rummaged through my physiology, the microscopic mutants concentrated in my skull. My brain swelled with a pain so focused that I couldn’t open my eyes and for days I lost all sense of whether it was day or night.

All I remember of this time is literally having no other choice but to surrender to the pain. Finally, within this weird dark place I “saw” what I remember as an image of the archetype of Mary, which I held on to with the thought that perhaps I wasn’t being swallowed whole afterall.

Shortly after the pain subsided, and other than the bones in my head being tender and my lungs congested, I slowly re-entered the day to day world of the rest of the residency.

The canvasses I had prepped were all ready and hanging on my working wall. My paints were arranged on the table, but I found that I could not tolerate color! Light also bothered me and I was unable to look at a phone or computer screen without feeling some internal wires were being crossed. My original intentions disrupted, I sketched instead in black and white trying to express the experience and make something of the residency.

Even more disconcerting was how it felt simply inhabiting space. When walking there was the feeling of riding up and down an elevator. For months afterwards I would have to stop to steady and ground myself….in a panic. Since this feeling was this side of actual dizziness or vertigo, it took months to understand my eustachian tubes had been permanently altered. Finally allergy testing confirmed this and also that my body remained on high alert. I continually exhibited allergic reactions, and I became a human barometer of weather and environmental and seasonal changes. It took years to convince my neurology that neither hard wood trees, nor a new weather front, would upend me.

I was finding that I was having to come into perceptual relationship with everything around me…in a deeper way. This relationship wasn’t a new experience. I had been relying on nature for a sense of wonder and relationship, but also emotional regulation, since a child old enough to wander alone in the wildness of it. This is where I found true beauty in the rhythms of life, sometimes death, and learned to trust change.

Considering the archetypal image of Mary that I saw during my dengue episode? It has become clear to me that this was the Earth herself….in one unbroken seam.

~

Drawings by Jana White ©

Instagram @ Jana_h_White

Fragile

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Fragile like smog shadows rifling valleys

the mountain holds its breath

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Fragile like feverish water

the ocean aborts the moon’s children

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Fragile like bees losing direction

and stamens playing their last hands

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Fragile like children born overwhelmed

by viruses perplexed

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Fragile still

like a flower

self-sewing in the garden

in blooming will make no mistakes

Intelligence in its unfolding

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“The Sky is falling. The sky is falling”

Painting and poem by Jana White

Instagram @jana_h_white

Loosely Binding

Hanji

The making of Hanji paper ….

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Mulberry bark

Gather,

skin, boil, wash, pound

In winter

cover with the root mucus … of hibiscus manihot.

Blended together … artfully form.

In a warm room … dry slowly … covered with stones.

I am durable … unpreserved I outlast civilizations

Enter my door … I am cool in summer, warm in winter

Impenetrable … the rain that falls can not dim my light

~

Accompanied by cricket sound in a field of stars

I sit in the soft glow of papered lamp light

it’s ancient tradition a beckoning

all my loved ones resting deep in sleep,

and tonight a great nest of grandchildren

dreaming of mountain tadpoles

and the wild strawberries they picked

as their own sun kissed bodies ripened in the sun

In this moment

I wonder at the naturalness of this great love that binds us

I am dazed by this spiraling life my heart forever flies towards

while still maintaining my own self … full, nurturing, self providing

I sit here like an open field arms held wide for it all

Tonight looking out at the shadows cast in response to our light

the dreaming of this family and the vast silence of living surrounds me

I wrap myself round with the wonder of it all

At the strength and resilience this steady cadence our hearts beat

Seemingly fragile

But oh, so strong

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Hanji paper is a traditional paper made in Korea from the inner bark of the paper mulberry. It is durable with archival properties and can be openly displayed in museums without protection. It is a good ventilator but can also keep a room warm so it is used to cover their wooden framed doors. It is also waterproof. It’s translucent qualities lend well to the artistry of shading lamps.

Hanji Paper Artist: Kitty Jun-Im

osmosis

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thought hovers

is this thought mine?

~

I watch the few words

just there

I look askance to see if they move

do they move of their own volition?

no

they hover

simultaneously

we’re moving through walls

what does this mean?

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I once could hear through walls

I’d lost my skin

rendered immobile

I heard nuclear indifference

red lights green lights

flying metal and a dying jesus

I wet myself

although the bed stayed dry

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I looked for what was left

at the time

I was empty

much later I understood

this was the right place to start

~

it takes awhile

starting from nothing

to un-know everything

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we hover

not knowing

we move through walls

~

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    Acrylic on paper….j. h. white

Lumens

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The push the pull the moon’s sculpting hands

Its broad face spilling transparent

over lunar mountains

Full bright

but veiled by cloud’s chattering

Obscured

yet still felt in the marrow

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With a tactile sensing

for the peaks and dark hollows

My blood its own compass

I map the edge of the sea

as the tide recedes

filling the carved pools as it leaves

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The clouds drift away in their own mystery

as the moon glides free

in luminous ascending

and I sway as a puppet in a shadow play

bathed in luminous manna

~

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Pencil sketch and poetry: j.h.white

note: a photo attributed to Joshua Black Wilkins was the inspiration for the sketch. ( I was unable to verify the source however)